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December 17, 2018

| by Spicyjello

Walk Slow and Read

Posted in Inspirtion

Some time ago along with a few friends, my wife and I decided to spend a couple weeks in the backcountry in and around Yosemite. Although we had never done backcountry camping before, we were open to the adventure.

Our destination was a lake some 12 miles back outside of Hetch Hetchy. As we started our hike, we were much more interested in the destination than the journey. I remember loving the smell of the forest and the cool quiet that surrounded us. Today I love the outdoors and attribute some of that admiration to this trip.

As we rushed along the trails I took a few images but never really stopped to enjoy the view like I would today. Back then I was carrying a Minolta X-370 film camera. I wasn’t yet a photographer but this was the camera that started it all for me. I shot some slide film during the trip but mostly black and white which I processed and printed myself.

Our trip was full of many surprises, one being a jet-powered helicopter flying over our campsite every morning at sunrise for five days, constantly grabbing water with a bambi bucket from a river to extinguish a nearby fire. That thing was loud—I mean the kind of loud that scares you even when you know it’s coming. Needless to say, we cut our stay in that area short. Being woken up by a jet-powered helicopter wasn’t our idea of a good time.

Did I mention the mosquitos yet? They drank the Deet repellent of off our bodies like a morning tea. In case you ever wondered, Deet will melt pretty much everything plastic. My Raybans still show some scars from that trip. At one point of the trip, my wife counted… counted I say… over 150 mosquito bites. That was a long night in our tiny tent applying calamine lotion.

Despite the challenges we faced, it was a great five days in the backcountry and the surrounding wilderness getting to talk to some cool hikers on the trails and experiencing some fantastic views.

A defining moment

We came into a clearing where the path made a slight left. I can still see that clearing and remembering all I wanted to do was get to camp so I could take my boots off. There was an older guy just sitting to our right probably enjoying the view of the area we were about to blaze through. He reminded me of someone that had been in the outdoors for some time and someone that was completely content.

We paused for some water, said a quick hello and just as we turned to head out he said, “Walk Slow and Read”.

I clearly remember thinking at that moment “what a silly thing to say”, and off we went. For some reason, that experience never left my brain. I’ve thought about it for years and here I sit some 25 years later writing about it. It had an impact on me that outlasted most of my high school education. Some years ago I even made a sign of the saying which I still see multiple times a day. That sign reminds me to slow down and enjoy each moment when possible, but it also makes me think about what I may have missed because I was always running at full throttle.

I recently returned home from a short trip to Zion National Park. I have been many times, so I knew where I wanted to go and what I wanted to photograph. I also didn’t have much of an agenda, so we just took our time and wandered more than anything else. It was great! I felt like I really got to enjoy the park more than earlier trips where we rushed from one potential capture-spot to another. Maybe that guy was right!

Walk Slow and Read

I used to embrace “Walk Slow and Read” as a concept that I agreed with but didn’t entirely adopt. I thought of it as more of an idea that I would envoke at a particular moment rather than a life philosophy.

I have no clever formulas or charts to prove that we all work too much or that we all need a long vacation. However, since most of us work more than we vacation, I feel confident to say that we all work too much and we all need a vacation.

Time passes so quickly, but I have an idea for how we can slow it down just a little. If we “Walk Slow and Read,” remember, and embrace our moments, we will set a marker in our memory of that experience. The more markers we set, the fuller and longer the year can feel and maybe slow the passage of time.

With the recent passing of my father, that brief encounter with an unknown man that instilled those four words into my being, “Walk Slow and Read,” has taken on an even stronger meaning.

Be the tortoise. It’s the journey that matters not the destination. Stop and smell the roses. These are all very similar sayings that never stuck with me even though I understood the concept. Life is too precious to blaze through a beautiful clearing and to not walk a little slower to read the world around you. “Read” the clouds, “Read” the trees, and take it all in. Take the time to connect with people. Years ago, I attended a workshop by a photographer named David Peters. He challenged us while on our lunch break to learn someone’s dream. Crazy talk I thought! No one will tell me their dream. I was amazed to find that simply complimenting our server and asking what they did when they are not “here” was all it took. They shared how they wanted to go back to school and become a nurse. How cool! Marker set.

There are certainly times to run and walk fast so long as we can remember to “Walk Slow” more often before we run, and remember to soak in and “Read” the precious moments we have “for tomorrow is promised to no man”.

Another take away for me is to be open to an experience you might not expect. If we are always in a hurry, there are a lot of opportunities we could miss. It could be as simple as someone looking at you from across the room, or as significant as recognizing a need in an industry that you could fill and build an empire from.

Taking a hike led me to a saying and experience that changed me. I believe that so long as we are open to the input, the universe will be willing to share.

So my friends,

“Walk Slow and Read”

December 9, 2018

| by Spicyjello

Why Infared is Awesome

Posted in creativity, gear
Zion Infrared pano shot with the Nikon Z6

Infrared: The other light.

Have you ever wanted to take a peek into a hidden world, another visual universe, or see the unseen? Well… you can with infrared photography.

With infrared photography, you see a spectrum of light just outside what our eyes can detect. It’s not the infrared you see in the movies though; you can’t see in the dark with a camera and not everything will be that cool, Matrix green. Although, with an infrared light source, you actually could see and photograph in total darkness if you wanted.

Infrared photography will allow you to see everything around you in a different light (pun intended)

My first encounter with infrared was with a friend of mine while we walked through the desert. I was shooting color and he was shooting infrared. I looked at the back of his camera and was blown away— It was black and white but new, amazing, and not something I could simply match by converting my images to black and white.

As a result, I quickly converted my Nikon D7000 and took a 3-week road trip to Washington. I expected to “test” the infrared on the trip and shoot with my other gear to capture most of the trip in color.  Well, that’s not what happened. Once I started to see the world in infrared, I never looked back. I shot 90% of my trip in infrared (aka 1000s of images). All of those fantastic mountains and lush rainforests—All infrared. Coastal lighthouses, small towns, and bridges—Definitely all infrared. It was amazing for me. I saw something entirely new, and it was exciting to say the least.

Infrared is impressive to me for a couple of different reasons

1. It’s unpredictable

First, I love black and white photography and I think everything looks best monochromatic. I spent countless hours early in my career agitating 35mm film in developer and then many more hours in the darkroom rocking a developer tray—So the monochromatic force is strong in me. Sure, I can convert and tweak a color image to black and white, but it’s normal, and everyone can do the same.

Infrared is different, challenging and unpredictable, Perfect!

For those of you that want more than a monochromatic experience, there is faux-color infrared. Depending on the conversion method and the amount of visual light allowed to hit the sensor, there can be an interesting duo color element to play with.

2. It’s unexpected

Another reason for my love of infrared is that it surprises me. I have been a professional photographer for just over 25 years at the time of writing this, so I’d say I’m good at seeing and using light. Infrared is just different enough that I can’t always predict how someone or something will look.

Although properly handled, infrared can produce some soft and unique skin tones. The real advantage of infrared is landscapes. Infrared changes everything. Skys go dark, trees, water reflections, pretty much everything changes. It’s like an additional layer just under the surface of what we are used to seeing, and for that reason, I LOVE Infrared.

Pro tip: People usually don’t look great, as their eyes go dark and their skin appears pale. It’s great for the Halloween season but not so great for brides and portraits.

How to get started

So, you ask, “what’s so different and how can it be better?” I hear ya. Who wants to take an expensive camera and make modifications? Besides me, that is LOL.

Here’s some examples of what you have to look forward to after taking the step of infared conversion:

But now that you’re convinced, what’s next? It all starts by converting a camera, which can cost between $300-$400. Don’t worry—Your converted camera can always be returned to mundane color, and the cost for converting back is usually much less than the original conversion. I won’t go into the technical details here; you can contact my favorite conversion experts at Spencer’s Camera. They will guide you and answer all of your technical questions. They also have a very informative website full of images and additional articles—Well worth having a look.

Choosing the details

When looking for a body to convert, I’d say a mirrorless camera is best, and my most recent and favorite conversion preference is the 590nm. This conversion allows in additional visual light which will enable me to tweak and play a little more with the colors and conversion to black and white.

A bonus of a mirrorless camera is the active viewfinder, whic makes shooting much easier. Otherwise, use a camera that can shoot and focus via live view to eliminate the need to calibrate a lens.

Keep in mind: Infrared light does not focus properly when being bounced in a DSLR if you don’t have a properly calibrated lens. Everything will be slightly out of focus as a result.

Post processing

Once you have a converted camera and filled a memory card with infrared amazingness, processing your images will be the next big step. If you shoot RAW (and you do only shoot RAW right?) then your images will be very magenta/red, like this:

A simple conversion to black and white will get you started on your journey to infrared bliss. Keep in mind, though, that there are colors in that image. On elements such as skies or grass, try using the white balance eyedropper in Lightroom, Capture One, Luminar, or whatever raw editor you prefer, before converting to black and white. The white balance can have a pretty dramatic effect.

Now you’re ready to play

Now that you’ve got your infared converted camera and post-processing methods figured out, it’s time to walk outside and point your camera at everything. Pine trees and succulents will glow even in the shade. Oak trees, not so much. Blue skies with clouds are amazing, and water is always a surprise. If you like to photograph people, give it a go and don’t stop playing.

If you would like to see me do some infrared editing, checkout this “Watch Me Work” episode on ThisWeekInPhoto.com

Now that you’re excited and ready to make the leap or perhaps do more research, I have some assistance for you. Check out the fantastic humans at Spencer’s Camera where I do all my conversions and those of all my friends. I’m a longtime customer and am not endorsed by them in any way. I truly recommend them.

When I picked up my recently converted Nikon Z6, I mentioned to them that I wanted to write an infrared post and they gracously offered a coupon code that I could include for all you amazing people.

Use the code spicyjello25 for $25 off anything over $200.

May you have a wonderful time exploring your infrared world!

 

This post contains affiliate links. If you’d like to learn more, see my affiliate disclaimer.

If you would like to support the efforst of this site, simply shop at Amazon using this link.

infraredZion

December 2, 2018

| by Spicyjello

My Nikon Z7 Makes Me Happy!

Posted in gear

After living with the Nikon Z7 for a few months now and having put it through its paces on a few wedding and engagement shoots, I figured it was a good time for a proper review. If you would rather skip the chatter, read the breakdown.

Just a heads up, this post will not be a head to head or a tech-heavy review. I’ll be sharing my personal experience as a full-time professional wedding photographer with over 15 years shooting digital with a Nikon D5 and D850. I don’t do video, so I apologize if you are hoping from insight from that aspect.

So, how good is the Nikon Z7 really?

Right off the bat—Nikon’s Z7 does make me happy!  It’s a solid piece of equipment that’s professional and ready to go to work right out of the box.

I have always believed that “gear does not make the photographer, but the photographer can make use of the gear”. Gear for me is just a tool that gets a job done. I don’t believe that any specific brand is better than another or mirrorless is the best revolution in photography. I love that fact that there is healthy competition and we, the users, are the winners. Nikon and Canon having made a move into mirrorless isn’t a game changer for me—It’s an evolution of a tool. Bottom line, picking the right tool for the job is more important than having the latest tool.

Familiarity

What’s impressive about Nikon’s new Z series is that for me, it feels immediately familiar to my Nikon-trained hands. The same can be said for those Canon shooters who look at Canons new EOS R mirrorless. As I sit here writing, the Z7 is right in from of me. Picking up the camera without even looking, I know where to “feel” for my controls like the exposure compensation button or the D-Pad on the back to move my focus points around. All of the symbols are in Nikon, and all make sense to me. Seems like a little thing, but already knowing the camera and menu system means the camera will get out of my way and allow me to just shoot.

Mirrorless

Now, if you don’t already know the wonders of a mirrorless camera, let me share. First of all, mirrorless, in general, is just like any other camera. My good friend, Frederick Van Johnson of This Week In Photo likes to say, “Cameras just capture photons”. So basically, all photon capturing boxes are the same and the difference is the features built around the photon trap. Simply put, mirrorless is no better than a DSLR at capturing photons. The most prominent feature of mirrorless for me is the live viewfinder. It’s amazing!!! It would only be fair to mention that Panasonic, Olympus, and Fuji, as well as a few others, have been doing the mirrorless photon capturing for a while now. So it’s not entirely new, it’s just gaining more momentum. I feel that important to mention because I see out in the world that there is a fever for mirrorless. It’s pretty cool for sure, but it’s not a genie bottle and doesn’t grant wishes. It’s a tool.

So why even consider mirrorless you might ask? Size and weight can be an advantage, however, if you add a booster and fast glass, you won’t really save much on weight—It’s a give and take. Image stabilization is another considerable advantage in mirrorless bodies. Having in-body stabilization with up to 5 stops reduction is huge, and with the Z series adapter, that means even your non-stabilized lenses can benefit. Lastly, my favorite mirrorless feature by far is the live viewfinder.

Fire

Nikon Z7: 1/3200, f4, 6400iso, Nikon 70-200mm f4 lens

Simple Integration

Kudos to Nikon for building the Z Series as a modern revolutionary piece of camera equipment that integrates into the existing Nikon ecosystem. It’s not only that the lenses and gear all work together, it “feels” Nikon. I can’t tell you how much that matters to me and I never really knew it would. The idea that I can grab the D5, D850 or the Z7 and shoot without fumbling is fantastic. I don’t mean the “walk in the backyard and find a pretty flower patiently waiting for me to stroll by kind of shooting”—I mean “grab a camera and start shooting the first dance and shots of dad kissing the bride on the cheek” kind of familiar. I’m pretty confident that if you shoot Nikon, the Z will “just work” for you

FTZ Mount Adapter

This adapter! I did get the new 24-70 lens and use it constantly, but I needed Nikon’s FTZ adapter. Thankfully, it’s reliable and easy to work with, however I do wish the price were more manageable as I would love to have a few floating around. I currently pre-attach it to my Nikon 70-200 f4, so it’s easy to jump between that and the native 24-70

The breakdown

Pros

Very Nikon
Buttons and menu will be familiar to all Nikon owners

“Camera on”
The Z is on and ready in record time. Coming from shooting a Sony that takes forever, it’s a nice feature.

Image stabilization is outstanding
I could not believe how well the IS worked with the native 24-70. I shot images at 1/6 sec no problem. Amazing. Image stabilization was not as stellar with Nikon’s 105mm macro, though, and I’m not sure why. I need to play more. The 105mm macro lens is internally stabilized and worked well, just not like the native lens.

Dynamic range
Fantastic dynamic range and overall image quality every bit as good or better than the D850

Lightweight but not “tiny.”
If you are used to handling a D850 or D5, the Z7 will be comfortable but not feel small.

Native 24-70 is top notch
Right out of the box I was impressed. I have no intention to shoot resolution charts. With some hands-on experience and a few weddings in the can, I’m confident that the 24-70 is one of the sharpest lenses I have shot.

The active viewfinder is incredibly sharp and vibrant
Doesn’t feel like I’m looking at a screen at all. Nikon definitely got the viewfinder right.

The touchscreen is fantastic
I have the D850 with a touchscreen, but it’s not as fully functional. I use it more than I thought I would.

Focus tracking is fantastic
I was already used to facial lock focus tracking with the Sony and super glad to see it in the Z series.

Focus peaking—My favorite feature!
Again, used this in the Sony but it is fracking amazing.

Built-in focus stacking
Macro photographers rejoice LOL. The D850 has this feature, but the Z seems to handle it better.

Configurable lens ring
Although I don’t see a use for me, it’s cool that I can configure it.

Cons

XQD card
Although super fast, did we really need that? XQD cards are expensive and currently hard to find.

Single card slot
For me and probably many pros, this kills the Z as a primary camera for once in a lifetime kind of photography moments. I won’t trust my weddings to the Z as a primary camera. Families and engagements I will use the Z for sure, though.

Poor focus acquisition in soft low light
It makes me sad, but the Z will not acquire focus in extreme conditions like the D5 or D850. To be fair, if you don’t already rely on the extremely fast low light focus ability of the D5 or D850, you will be very impressed with the Z.

Wireless strobe control is LAME LAME LAME
Sorry, just had to get that out. To use the amazing SB-5000 strobes as a WiFi off-camera strobe, you have to plug this small module into the side of the camera. WTH? It’s in your way, nothing in place to make sure it doesn’t come out, and oh did I mention—It’s in the way!

Crippled button customization
Small thing to nitpick, but some custom options are not available to all customizable buttons, which feels to me like an oversight. Let the user decide what the buttons do, no ned to limit the options.

Battery life
Not a huge issue to be honest, but thought I’d mention it. The battery lasts about as long as the D850 but not nearly as long as the D5, so not a massive change for me. I have regularly gotten 500+ images out of my Z7 at a wedding.

Let’s talk image quality

I’ve been shooting a long time, way too long in fact, and when you have been shooting daily for over 25 years, you get a sense of what an image should look like. It’s not scientific by any means, but when you view a lot of images and primarily the same subject matter, you get a good sense of what a camera is giving you.

For example, the first time I shot with the Sony a7R II I was blown away by the exposure latitude over the Nikon D4 and D4s I had at the time. Then came the Nikon D850 which was also very impressive. Highlights in a bride’s dress or an overexposed sky are much more easily recovered in the D850 and the Sony a7R II than any other camera I have shot. Now enter the Z7. The Z7 is every bit the D850 and a little more, more specifically a little thicker on highlight and shadow detail. Again, this is not a head to head and not scientific, just my opinion with a lot of hands-on time. Having shot and edited as much as I have, I can tell what file I’m editing by how it behaves to the exposure slider or recovering highlights or shadows and the Z7 does not disappoint. What I think is most important is that the Z7 did not lack in image quality in any way. It held its own in a mix of D5, D850 and Sony a7R II files from several wedding shoots. For me, that says more than a pixel dive to compare images at monster magnification.

Nikon Z7: 1/400, F10, 1000iso, 105mm Nikon Macro, 100% magnification

Nikon Z7: 1/400, F10, 1000iso, 105mm Nikon Macro, Full Frame

Final thoughts

The take away for me is that the Nikon Z7 is a performer. No camera will ever be perfect, but for the moment the Z7 is pretty close. There will always be features or design elements we wish we had, but we need to be practical. Chasing gear doesn’t make me money or impress my brides—Getting the shot is what matters, and the Z7 can do that for me. Performance and the ability to make the necessary image for delivery is what matters most. If that gear can be a little lighter, faster, or sexier while doing its job, then all the better.

This post contains affiliate links. If you’d like to learn more, see my affiliate disclaimer here.

Nikon Z7

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